by John Constantine

Directing comedy is as delicate as writing it. You need to ease your performers into exactly the right rhythm, get them to react to each other just so. Otherwise your movie won’t be funny. It’ll just be ridiculous. Chemistry and timing are key.

That’s the reason you see so many comedy creators directing, writing and starring in their own work. It means complete control over the act, ensuring maximum hilarity. Harold Ramis has certainly written and/or performed in far more than he's directed, but the former (soon-to-be current!) ghostbuster has nonetheless shouldered plenty of directing gigs. In honor of his latest stint as the helmer of "Year One," I give you five classic chestnuts from his ever-growing catalog. Read more...

by John Constantine

Great comedy doesn’t necessitate a great plot. All it needs to have is a solid premise and interesting characters to succeed. Heck, sometimes it’s even funnier when things don’t make sense. "Year One" director and co-writer Harold Ramis’ storied career proves the rule. The man’s early films, made in the wake of his stint as head writer on Canada's “Second City TV” sketch comedy series, could barely sustain a narrative thread. They were nonetheless brilliant, their narratives fueled by manic energy, killer one-liners and a hearty nostalgic spirit. Picking the best is no easy task, so instead look at this list as a beginner's guide to some of the most well-written comedies of our time. Read more...