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Die Hard

It's "A Good Day to Die Hard" for a certain group of young actors. The search to find John McClane's son is officially on and down to three possible players, according to reports: Aaron Paul of "Breaking Bad," Ben Foster of countless creepy roles, and "Hunger Games" leading man Liam Hemsworth.

Beyond the jump, we're breaking down each of Bruce Willis' potential new co-stars.

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Oscar IsaacThough Oscar Isaac might not have been one of the top-billed actors in Nicolas Winding Refn's critical hit "Drive," his performance as a man just out of prison trying to do right by his family definitely got the attention of a couple big name Hollywood directors.

Deadline is reporting that Isaac has landed the much-sought-after lead role in the Coen brothers' latest film, "Inside Llewyn Davis." The flick focuses on the early folk music scene in the 60s in Greenwich Village, and its lead characters are loosely based on the lives of Dave Van Ronk and Tom Paxton. Shooting is slated to start early next year in New York.

Check out the rest of today's casting news after the jump!

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Russell BrandHere's a pairing that comes wonderfully out of left field: Russell Brand could star in Diablo Cody's directorial debut "Lamb of God."

The news comes at us courtesy of Twitch, who learned that Brand has been offered the lead in the flick and that "Footloose" star Julianne Hough is the top choice to play the movie's leading lady. "Lamb of God" tells the story of a young conservative religious woman who loses her faith and decides to go to Vegas and "live the life of a sinner," but ends up finding her faith along the way.

Check out the rest of today's casting news after the jump!

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There's a scene in "Here" — a beautifully shot travelogue of a movie starring Ben Foster that premiered at Sundance — in which Foster's character is detained at the Armenian border. He's a high-tech cartographer named Will Shepard, who is journeying across the country with his tour guide/love interest, and as guards with machine guns looks on menacingly, it's unclear if the movie is about to take a dark turn.

The production itself threatened to take a dark turn, as Foster told us at Sundance, when the film crew itself was detained. "We were pulled over by the KGB. We were shooting on the Iranian border," he explained. "We were locked down at the border. It was wild."

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The Mechanic red-band trailerDespite being suitable for all audiences, the first trailer for Jason Statham's hitman flick "The Mechanic" kicked serious butt. Now, there's a new red-band trailer for "The Mechanic" (thanks, IGN!) that's certainly is NOT suitable for all audiences... and it's WAY more badass than the first. It's filled with copious amounts of blood-soaked violence, a pretty graphic "love" scene and a fair helping of foul language -- in other words, everything you've come to expect and adore in a Jason Statham movie.

Warning! This trailer does contain "strong brutal violence throughout, some sexual content and nudity" -- so don't watch it unless you're 17 or older... or accompanied by an adult (though preferably not your sweet grandma). If you meet all these requirements, hit the jump to watch the trailer for the latest entry in the Statham canon. Read more...

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If you're Jason Statham, how do you possibly top the experience of working with such a star-studded cast on "The Expendables?" Well, there's always the sequel to consider, but in the meantime, the British action star has other plans: a starring turn in "The Mechanic."

Statham stars in director Simon West's remake of the Charles Bronson and Jan-Michael Vincent-starring '70s action classic, and while we certainly don't want to speak ill of the late, great Bronson's work — for a variety of reasons, not the least of which is our fear of his ghost coming back to kick our collective butts — it certainly looks like Statham's attempt to restart the Bronson franchise is off to an excellent start, if this new trailer is any indicator. Read more...

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Jason Statham is stepping things up in his career this Friday with a leading role in the ensembles '80s throwback action flick from writer/director Sylvester Stallone, "The Expendables." After you've appeared in a movie led by what is arguably one of the biggest action stars of the last 30 years, where do you go?

Charles Bronson's house, apparently. Over the weekend I received a press release revealing that CBS Films picked up the distribution rights to "The Mechanic," a remake of the Bronson film from 1972 starring Statham and Ben Foster. Statham will take the Bronson role, a hitman who takes on an apprentice (Foster) who happens to be connected to someone Statham's character's own master killed. I've never seen the original, but I like both of these actors and I like Charles Bronson. Looking forward to seeing how this one comes together.

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After the record-breaking success of "Precious: Based on the Novel PUSH by Sapphire" over the weekend, I'm more hopeful for films starting out in limited release. This week's recommendations may not have the distinction of being championed by Oprah Winfrey and Tyler Perry, so if you find any of them worth seeing based on my recommendation, it may be more necessary for you to make the effort to get them to play near you.

"The Messenger"

What it is: A skewed romantic drama about a young Iraq War vet (Ben Foster) who is assigned to the Army's Casualty Notification service, where he's partnered with a captain played by Woody Harrelson. While delivering the bad news, he falls for one of the notified widows (Samantha Morton). Read more...

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As if last week's mixed-genre Friday openings weren't enough, we've got the same song this week as well. I'm thinking that the front-runner is "Fame." Not only does it possess an all-ages appeal, but there's also the nostalgia factor to consider. The 1980 original was quite popular, so even childless thirty-somethings can find something to enjoy with this remake. Maybe.

It's not like there aren't other options. Michael Moore is back with another message-driven doc, "Capitalism: A Love Story." This one's about the sorry state of financial affairs that our nation is currently in, with the focus on what went wrong and how we got to where we currently are. Moore is nothing if not a crowd-pleaser, so expect to find his same brand of wry, scathing humor mixed with shocking facts about corporate and governmental wrongdoings. Read more...

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Cam GigandetPaul W.S. Anderson was finishing up post-production on his franchise-melding sci-fi flick, “AVP: Alien vs. Predator,” when he sat down to read a script that very much reminded him of one of the progenitors of his film: Ridley Scott’s 1979 deep space horror classic, “Alien.”

The script was simply terrifying, Anderson told MTV News in a recent interview. It was based on an original idea as opposed to the sequel-itis Hollywood had fallen victim to, and it contained mind-bending sci-fi concepts. He decided he had to make the movie. Read more...

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