Saw

If you thought "Saw 3D" was going to be the last installment of the gory franchise, then you might want to sit down for this news. The rest of us can stand, because we saw this coming a mile away — every diehard horror fan knows that a movie claiming to be the "final" installment isn't really finished for good!

Lionsgate has just revealed that a new "Saw" flick is on the way. During an interview with CNBC, Vice Chairman Michael Burns got a little chatty about the company's big moneymaker. "I'm sure, some day, you'll see 'Saw' back in the picture," Burns said.

It makes sense, at least financially; Lionsgate has a potential franchise in "Hunger Games," but could certainly use backup from the reliable "Saw" series. From a fan standpoint, anyone who watched James Wan's "Insidious" could have guessed this was coming. Some of you may have spotted the chalk-drawn Billy the Puppet with an "8" underneath him on the blackboard in one scene.

Argue for or against a new "Saw" movie in the comments below, and click past the break for more of this week's Horror Bites.

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Momentum's been building over the past week around an adaptation of the Stephen Rebello book "Alfred Hitchcock and the Making of Psycho," and this latest news should make fans of the Master of Suspense even happier. According to The Hollywood Reporter, Anthony Hopkins is in talks to play Hitchcock on the big screen.

Just last week it was announced that "Anvil! The Story of Anvil" director Sacha Gervasi was in talks to helm the flick. He was also planning on rewriting the screenplay penned by "Black Swan"'s John McLaughlin.

"Alfred Hitchcock and the Making of Psycho" unsurprisingly tells the story of Hitchcock leading up to the creation of the 1960 masterpiece. It follows Hitchcock who, at the height of his game as a director, chose to make a "lowly" horror movie. The book introduces a wealth of new characters we haven't met before, like the studio representatives who wanted nothing to do with the project, "Pyscho" author Robert Bloch and the film's screenwriters, editors, composers and producers. Apparently at the center of the script is the relationship between Hitchcock and his wife, Alma Reville. Read More...

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If you’d like to boil it down to its simplest form, "Buried" -- opening in a limited release this Friday and going wide on October 8 -- is a movie that features actor Ryan Reynolds in a box. Which is, coincidentally, precisely how I like my Ryan Reynolds served up (preferably with a bow on top, delivered overnight express to my front door). Obviously, upon first hearing the premise, my feminine sensibilities were intrigued.

As for the rest of you, I’m not surprised that the concept is a harder sell. After all, the entirety of the film is set in a coffin. That’s 94 minutes of a dude in an 84x28x23-inch space. What Reynolds’ character, Paul Conroy, endures over those 94 minutes is an intense, claustrophobic, emotional ride (complete with multiple action sequences inside the wooden casket – believe it!). Not only is the film an adrenaline rush until the bitter end, but its underlying themes also serve as sage political and sociological commentary on the nature of war, government accountability, hostage negotiation and terrorism.

The director of “Buried,” Rodrigo Cortés, cites Alfred Hitchcock – iconic master of suspense – as a major influence on the film’s style. Those of you who’ve seen Hitchcock’s tales are familiar with the trademark psychological and stylistic elements that make his narratives wildly terrifying and affecting.

The Hitchcock themes within “Buried” are so plentiful that I decided to speak to an expert on the subject in order to create something of a primer to enhance your viewing experience.
Enter: Richard Allen, professor of the Department of Cinematic Studies at New York University, author of “Hitchcock’s Romantic Irony” and editor of “The Hitchcock Annual.” As Professor Allen explains, “Hitchcock is still alive and well 30 years after his death” thanks to the immortalization of his devices in popular cinema today. Read More...

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Alfred Hitchcock is one of the greatest filmmakers in history. This is an indisputable fact. The man taught the world how to effectively stage suspense on film. Most, if not all, of his movies still hold up. Today, "Psycho" -- arguably the most famous of them all -- turns 50. On June 16, 1960, "Psycho" premiered in New York City. On that night, the world saw the birth of the slasher genre and one of the earliest examples of graphic violence in film.

I just wanted to take a moment out of the day to honor Hitchcock's accomplishment. There are many works of "classic cinema" which, while important, seem unimpressive by today's standards. Hitchcock stands apart; his work endures and his influence is still felt whenever a movie pushes you to the edge of your seat with tension. "Psycho" is a testament to that. Click the image up top to page through our 50th anniversary "Psycho" flipbook gallery.

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I spend far too much of my day reading about silly movie projects – this absurd remake, that insulting franchise extension. Sometimes I forget how good film can be – how good it has been. A couple days ago, I sat down to watch Alfred Hitchcock's "North by Northwest" – a picture I'd seen several times before but never in its newly restored and remastered DVD form – and came away wishing, surely fruitlessly, that 2009 could deliver a thriller that even approached the twisty coolness of this 1959 masterpiece.

Even at the time of its original release, "Northwest" was ahead if its time, as co-star Martin Landau made clear in an interview with MTV News coinciding with the film's 50th anniversary. The actor played Leonard, a henchman assisting with his boss' criminal enterprise and attempting to eliminate a perceived threat from Madison Avenue exec Roger Thornhill (Cary Grant). Read More...

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Holly Montag has gone from Heidi's sister on "The Hills" to jewelry designer to... our new favorite film buff! It wasn't until Holly stopped by the MTV News offices earlier this week that we learned of her background. The elder Montag sister is a film school grad -- from a program made famous by avant-garde legend Stan Brakhage no less! -- who has a taste for Hitchcockian mystery and Jimmy Stewart.

"Hey, I went to film school," she revealed about her past to MTV's Jim Cantiello. "[My focuses were] critical studies and production. I double majored... well BFA and BA. I went to CU." (That's the University of Colorado, where the Montags are from.)

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